
Oriental fantasy derived from classic Parsee theatre. The heir to the Yemeni throne, Prince Parviz, is falsely imprisoned by his stepmother who claims power. Parviz receives a magic dagger from a mystic sufi fakir to liberate himself and his people. The dagger makes him invisible. He kills the Apeman and the genii, rescues the captive Princess Parizad and, finally, overwhelms the soldiers sent to recapture him. The king learns the truth and repents.
Directed by J.B.H. Wadia, Lal-e-Yaman leans on a strong ensemble — Jal Khambatta, Karimja, Padma — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about fantasy titles of 1933.
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The story of Prince Hal who sets out to avenge his dead father against the city's rivals, the Zeriths, little knowing it was his wicked uncle Nezo who is the real killer, with his own designs on the throne.
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