
Toni is a smart drug smuggler, living in a luxuriously home by the beach. The pot (ganja) producers pack it in crates, take it from Jamaica to a precise point of New England waters, and dump it in the sea. With no apparent connection with them, a couple of scuba-divers later retrieve the crates to their own boat, then take it in an old low-flying biplane to the continent. And then a third party will distribute to the consumers. The Narcotics Bureau has its informers, of course, but it seems the monthly Ganja Express can't be stopped. Eventually it will come ashore, in a mix of sex and violence, during an orgy at Toni's place.
Directed by Richard MacLeod, The Ganja Express leans on a strong ensemble — Jamie Gillis, Juliet Graham, Catharine Burgess — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about action titles of 1978.
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Fight everyone and trust no one: it's the code of survival practiced by martial-arts master Casey Bowman after his life of domestic bliss is shattered by a savage act of violence. Vowing revenge, the fearless American stealthily tracks the killer from Osaka to Bangkok to Rangoon with the help of a wise and crafty sensei. His only clues: a series of victims whose necks bear the distinctive mark of strangulation by barbed wire. Fighting to avenge as well as to survive, Casey must sharpen his razor-like responses and take his battle skills to the next level, even using deep meditation to fake his own death. His target: the sinister drug lord Goro, who is flooding the streets with deadly meth cooked at his remote jungle factory. To prepare for his ultimate confrontation, Casey must finally become an invisible warrior worthy of the name Ninja. But just when his prey is cornered, an unexpected twist shows Casey that his battle is only beginning: he truly can trust no one.
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