
This Brechtian musical about a young woman who flees from her decrepit, noble fiancé and marries a sailor is an interesting, although not a completely successful attempt to translate the sort of stage show to film. It has some good points, including the complete abandonment of the sort of surrealistic stage design that had enlivened the silent cinema. Instead, this tries for a purely cinematic technique, including multiple exposures, undercranking and distorting camera angles and lenses.
Directed by Alexis Granowsky, The Song of Life leans on a strong ensemble — Aribert Mog, Margot Ferra, Elsa Wagner — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1931.
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