
Malcolm Shanks is a sad and lonely man, deaf, mute and living with his cruel sister and her husband, who delight in making him miserable. His only pleasure, it seems, is in making and controlling puppets. Thanks to his skill, he is offered a job as a lab assistant to Dr. Walker, who is working on ways to re-animate dead bodies by inserting electrodes at key nerve points and manipulating the bodies as if they were on strings. When the professor suddenly dies one night, Shanks gets the idea to apply their experimental results to a human body, and then to start exacting some revenge.
Directed by William Castle, Shanks leans on a strong ensemble — Marcel Marceau, Tsilla Chelton, Philippe Clay — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about fantasy titles of 1974.
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Simon Cordier, a French magistrate and amateur sculptor comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control.
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