
Stavros and Charlotte - i.e. the director and his partner in life and art, Charlotte van Gelder - are wandering the streets of a burdensome reality like immigrants, tracing the world around them through friendships, journeys and political quests. Made with minimal means with a few rolls of black and white film they managed to scrape together, this is a thoroughly unconventional film that defies traditional narrative structures, spectacularly revealing the director's true vision: a primordial cinema full of imagery that comes out of nowhere and communicates freely, like a small wonder. A large slice of the international film critic community - including Frenchman Louis Skorecki who described the film as a comet - will adore "Coatti" and continue to support Tornes' lonely path until the end.
Directed by Stavros Tornes, Coatti leans on a strong ensemble — Pierre Loui Abner, Roberto De Angelis, Mahdi Michel — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1977.
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Playboy Thomas Fuentes has so far been able to skate by in life on good looks and charm alone. But when his duplicitous relationships with three women -- impassioned waitress Cici, meticulous lawyer Lorena and bored socialite Patricia -- spiral out of control, he suffers a mental breakdown. His doctor recommends that he choose just one girlfriend -- but can he choose in time before they discover his deception?
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