
Rita Martin, the partner of a phony spiritualist who uses information supplied by her to gull and astonish the rubes, gets work as private secretary to John Clayton, a wealthy man who has just disinherited his worthless son, Frank, and left his entire fortune to his upright stepson, Bob Williams. At Frank's request, the spiritualist later performs for the elder Clayton a seance during which Rita impersonates the late Mrs. Clayton and arranges for a reconciliation between Frank and his father. Rita falls in love with Bob, however, and, in order to protect Bob's interests against Frank's, exposes the spiritualist as a faker. Frank is disgraced in his father's eyes, and Bob quickly forgives Rita for her past complicity in Frank's schemes.
Directed by Phil Rosen, The Faker leans on a strong ensemble — Jacqueline Logan, Charles Delaney, Warner Oland — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1929.
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