Sandy

Sandy McNeil adopts strictly unconventional jazz ethics and against the wishes of her parents runs with a fast young set. An auto breakdown after a party places her in a compromising situation, and she grudgingly marries a wealthy suitor of her father's choice. When her husband's cruelty results in the death of her child, she leaves him and meets Ramon, an architect with whom she becomes infatuated. The return of his former mistress causes her to seek refuge with her cousin Judith, where she falls in love with Douglas, Judith's sweetheart. As Sandy refuses to return to Ramon, he shoots her and then kills himself. Douglas, taking the blame for her sake, is tried for murder, but Sandy rises from her sickbed and confesses in court; she succumbs after restoring Judith to Douglas.

Directed by Harry Beaumont, Sandy leans on a strong ensemble — Madge Bellamy, Leslie Fenton, Gloria Hope — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1926.