
At a hotel in San Remo, a maharaja living in exile thinks he sees the reincarnation of his dead wife in the pianist Mira and thinks the best way to deal with it is to hit up on the poor girl. Mira, however, has a thing for the violinist Stefan and doesn’t quite know how to deal with the maharaja’s insistence that she become his fiancée. In the end, Mira returns to Stefan and the maharaja returns to his country after his exile is lifted.
Directed by Arthur Maria Rabenalt, The Love of the Maharaja leans on a strong ensemble — Gustav Diessl, Attila Hörbiger, Hilde von Stolz — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1936.
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