
Romantic triangles between city folk and country folk, with new money/old money issues complicating the story.
Directed by Gilberto Martínez Solares, La trepadora leans on a strong ensemble — Sara García, José Cibrián, Roberto Silva — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1944.
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A New York girl sets her father up with a beautiful woman in a shaky marriage while her half sister gets engaged.
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