Usury and Fatherhood

In respect to other FAI films, it contains quite an innovative scene, in which the loan shark is on a train, looking out the window, made with a sort of “track after” shot. The camera was fixed on the outside of the train, and when the train started going, the camera filmed the moving landscape. Much of the footage was shot in exteriors. There are numerous views of Rome, including one of Castel Sant’Angelo, while several scenes are set on the beach, probably on the coast of Lazio. The film was hailed by critics. “An exciting film: there are some beautiful scenes. The actors deserve heartfelt congratulations and praise.” (Lazzaro, “La Cine-Fono”, Naples, 4/4/1914)

Directed by —, Usury and Fatherhood leans on a strong ensemble — Ettore Berti, Stefano Bissi, Guido Brignone — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1914.