
Guglielmo Oberdan, the martyr of Trieste, already exemplary figure of fervent irredentist, then anti-Austrian conspirator executed for attempting to assassinate Emperor Franz Joseph after the disillusionment that followed the death of Garibaldi (1882), became, in 1915, the symbol of a civil case of patriotism.
Directed by Emilio Ghione, Guglielmo Oberdan, il martire di Trieste leans on a strong ensemble — Alberto Collo, Emilio Ghione, Ida Carloni Talli — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1915.
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