
The circus dancer Lulu is a thoroughly liberal being. Although she loves her former savior, the clown Alfredo, she begins a relationship with the noble Henri von Reithofen. Henri kills himself ruined by the horrendous expenses for Lulu. She however is fishing for the next rich patron, the much older Baron Waldheim. His son knows Lulu and warns his father that she will also hurt him. Waldheim succumbs to Lulus's insinuations and punishes his son.
Directed by Alexander von Antalffy, Lulu leans on a strong ensemble — Erna Morena, Adolf Klein, Harry Liedtke — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1917.
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Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
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