
Berlin, around 1900. Art student Hugo Großmann takes his work lightly and his pleasure seriously! A friend’s warnings do no good. He fails his exams. In the vegetable cellar of the widow Möhring, he finds cheap lodging and, in her daughter Mathilde, the person he needs. Hugo resists her positive influence for a long time. As his affection for the girl grows, so does his ambition. Hugo passes his exams, but then the easy life beckons him once again! Mathilde emerges victorious this time as well: he takes the post of mayor in Woldenstein and makes her his wife. It becomes their shared success to secure a railroad connection for the small town against all odds. At the inauguration, a tragedy claims Hugo’s life.
Directed by Claus Peter Witt, Mathilde Möhring leans on a strong ensemble — Cornelia Froboess, Edda Seippel, Ernst Jacobi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1968.
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South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
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