
Audacious Jeanne works in a book bindery, is given a diary written by Thomas Dodd to bind. The diary portrays Dodd as a scoundrel who fathered a girl by a woman he never married, and Dodd's family as a nest of vipers. Jeanne decides it is her duty to save this corrupt family and presents herself to Dodd as his illegitimate daughter. In fact, Dodd is a meek old man whose scandalous diary was pure fantasy, and the only hostile member of the family is Dodd's greedy brother Jerry, who was the only sympathetic character in Dodd's diary. Jeanne falls in love with Dodd's nephew Kent, though she dutifully urges him to marry Hazel Jenkins, a woman whom Jeanne believes Kent has wronged. A lost film.
Directed by Harry L. Franklin, Alias Miss Dodd leans on a strong ensemble — Edith Roberts, Harry von Meter, Margaret McWade — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1920.
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A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
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