The Gulls

Elza lives in a small town in the Republic of Kalmykia on the Caspian Sea. Another year comes to an end, it’s cold and the steppe is covered in a thin layer of snow. When her husband, who makes a living from illegal fishing, asks her one night what she did during the day, she lies. She wasn’t at her mother’s, but at the bus stop. She thought of leaving – to find out what it might be to escape the infinite expanse of her dreary small world. But she didn’t dare; instead she stays and withdraws into herself, unconcerned by who might see. One day, her husband doesn’t return from a dangerous boat trip. It is said that a fisherman only returns if he has a woman waiting for him and that seagulls are the souls of the missing. At the start of a somewhat unplanned pregnancy, widowed and alone, Elza wanders ever further through the city, plotting a path between tradition and the contemporary until she’s no longer on familiar ground.

Directed by Ella Manzheeva, The Gulls leans on a strong ensemble — Evgeniya Mandzhieva, Sergey Adianov, Lyubov Ubushieva — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2015.