
Born Fernando de Bulhões, he was a precocious Portuguese youth, concerned with the suffering of the poor. Grown into a contemplative young man he renounces the world to join first the Augustinian Order and then the Franciscans order (where he takes the name Anthony) in his dedicated service to the faith.
Directed by Giulio Antamoro, Anthony of Padua, The Saint of Miracles leans on a strong ensemble — Carlo Pinzauti, Ello Cosci, Ruggero Barni — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1931.
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