
“The River” ponders whether you can go home again, particularly if you’ve never been there. When Alfa (French rapper Stomy Bugsy) kills his drug-dealer boss in retaliation for a friend’s death, his brother cryptically suggests he leave Paris and “go toward the river.” Accompanied by sassy Senegalese cousin Marie (Auriele Coulibay), he embarks on a road trip back to his disdained African roots. Pic possesses a picaresque charm, plus feisty persona of Marie. But Bugsy is so unflaggingly morose, it’s hard to understand what Marie sees in him. Pic, yet to find a distrib in France, stands little chance in the U.S.
Directed by Mama Keïta, The River leans on a strong ensemble — Stomy Bugsy, Vincent Byrd Le Sage, Aurélie Coulibaly — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2003.
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A young man is sent to "La Maca," a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named "Zama King" and has no choice but to make his story last until dawn.
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