
34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.
Directed by Álvaro Buela, Alma Mater leans on a strong ensemble — Roxana Blanco, Nicolás Becerra, Walter Reyno — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2004.
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