
Benjamín Eiríksson, a middle-aged man, has reached a cross-road in his life. A pioneer in engineering, who has achieved all the goals open to him in his profession. A respected father and loving husband, his heart is now silent. His children are leaving home, his wife is estranged from him. The vast power-stations, once the proud symbols of his ingenuity and creativity, now appear merely stark monuments to vanity and futility. Craving love, friendship, understanding, he tries to make a fresh start, in search of a life of adventure, a life with meaning.
Directed by Hrafn Gunnlaugsson, Inter Nos leans on a strong ensemble — Benedikt Árnason, Andrea Oddsteinsdóttir, Júlíus Hjörleifsson — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1982.
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94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
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