
1956. Bébé is a painter, but he has not worked for years. The news arriving form Paris about the death of his childhood friend, Halász Petár affects him deeply, but his reflections are continually disturbed by telephone calls: the Alliance for Fine Arts wants to purchase one of the popular self-portraits of Halász.
Directed by Dömölky János, Roofs At Dawn leans on a strong ensemble — György Cserhalmi, Péter Andorai, Katalin Takács — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1985.
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Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
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