
Otsuya, the daughter of a rich merchant, elopes with her lover Shinsuke, an employee of her father's. During their flight, Otsuya's beauty attracts the gaze of Seikichi, a mysterious master tattooist who sees her pristine white skin as the perfect canvas for his art. The image of the large demonic spider that he emblazons across Otsuya's back marks her as the property of another man, radically altering her relationships with all around her as her personality seems to transform under its influence.
Directed by Yasuzō Masumura, Irezumi leans on a strong ensemble — Ayako Wakao, Akio Hasegawa, Gaku Yamamoto — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 1966.
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A kind man aspires to become a manga writer, but villains and evil deeds do not come easily to him, for he has little experience or natural inclination for them. Things take a surprise turn when he comes across a family who were described as idealized that are no more. He uses the real-life situation for his work.
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