
Stylised, largely French-spoken homage to Luchino Visconti about a 19th century young noblewoman who is surrounded by people from the moment she awakes. Resigned, she undergoes the morning ritual, in which three servants clothe her and do her hair. During the day, she grows increasingly paranoid. The people she sees remain unnoticed by the others. Or is she really watched?
Directed by Erwin Olaf, The Evocation of Sadness leans on a strong ensemble — Romy de Vries, Hans Kemna, Peter Blankenstein — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2010.
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