
On an elaborately decorated stage, the titular troubadour of the title bows. He then proceeds to pull several cards out of mid air and arrange them on the floor. Then, taking a banjo he multiplies himself into seven different troubadours, each playing a different musical instrument. A moment later, they all vanish and we are left with the troubadour who we were first introduced to at the beginning of the film. He explodes in a puff of smoke, and an enormous fan appears and unfolds. On it appears a vision of a castle tower with a maiden in it, and the troubadour outside the tower window, talking to her. The vision dissolves, and the troubadour bows, thus ending his performance.
Directed by —, The Troubadour leans on a strong ensemble — Gabrielle Robinne — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about fantasy titles of 1906.
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Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
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