
In a large house in Salvador lives a family: Hercules, Julia, two of the couple's nephews, Hercules' father-in-law, and two maids. Hercules is a farmer who is in a professional and marital crisis. The mystical figure of Calunga mysteriously appears in the big house. He causes deep transformations in the family. Calunga relates to the women of the house and shakes the established patriarchal structure.
Directed by José Umberto, O Anjo Negro leans on a strong ensemble — Mário Gusmão, Raimundo Matos, Eliana Tosta — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1973.
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The year is 1955, and a great flood is coming to Northfork, Montana. A new hydroelectric dam is about to be installed in the mountains above the town, ready to submerge the valley in the name of progress. It is the responsibility of a six-man Evacuation Committee to relocate the townsfolk to higher ground. Most have duly departed, but a few stubborn stragglers remain – among them a priest caring for a sickly orphan, a boy whose fevered visions are leading him to believe he is a member of a roaming band of lost angels desperately searching for a way home.
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