
This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.
Directed by Raúl Ruiz, La Recta Provincia leans on a strong ensemble — Bélgica Castro, Ignacio Agüero, Ángel Parra — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2007.
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A man searches for his father, Pedro Páramo, in a town doomed by violence and the fury of a frustrated love.
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