
Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.
Directed by Aaron Kim Johnston, Mistress Madeleine leans on a strong ensemble — Mireille Deyglun, Neil Munro, Harry Daniels — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about history titles of 1986.
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