
Is having control of our life a right? Are living and dying freedoms, duties or responsibilities? How should we love? How should we live? How should we die? These questions are woven into the story of Adrien, who suffers from kidney failure. He runs a garage in Trois-Pistoles, a small town on the St-Lawrence in Québec, where people seem ordinary, but aren't: each love story, each life, each destiny is unique.
Directed by Renée Beaulieu, Adrien leans on a strong ensemble — Normand D'Amour, Louise Portal, Nathalie Cavezzali — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2015.
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More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
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