
A young sailor arrives in Busan Harbour; an outrageous-looking, woolly bear of a man appears in downtown Busan with a shotgun over one shoulder, a heavy knapsack thrown over the other; a tough-looking young woman joins her friend in robbing a naïve fat man in a suit. The strands of character and story will slowly converge, well after the audience, tuned to the coincidences and mistaken identities of melodrama, has recognised that these three have a shared history and are fated to meet and reconcile.
Directed by Jeong Chang-hwa, Bonanza leans on a strong ensemble — Kim Seung-ho, Hwang Hae, Um Aing-ran — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1961.
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A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.
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