
Madrid, 1953. Gilda is a young orphan who difficultly survives in a ruined, post-civil war Spain. Opportunistic, ambitious and ruthless, she dreams of becoming a radio speaker and wants to get an official union card, a requisite for the job. She doesn't hesitate in joining an ultra-catholic fraternity and to become a police informant. But the suicide in prison of her aunt, a militant Republican, threatens to ruin her plans. She has only one solution left : to use her charms.
Directed by Francisco Avizanda, Hoy no se fía, mañana sí leans on a strong ensemble — Carolina Bona, Jesús Noguero, Albert Prat — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2009.
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