
An ode to film preservation, it presents a night-time visit to a seemingly depopulated repository (presumably the Royal Film Archive of Belgium), juxtaposing a series of images of observation, reconstruction, and projection using film fragments - from the hand-painted, altered image frames of Georges Méliès' Kingdom of the Fairies to the iconic image of Louise Brooks - to turn the archive into a temporal wonderland of novel discoveries, hidden treasure, re-awakened curiosity, and critical re-assessment.
Directed by André Delvaux, 1001 Films leans on a strong ensemble — Louise Brooks — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1989.
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