
All kinds of crimes are being committed in a frontier settlement; if you blame it on the Chiricahuas afterwards, you can get away with anything. One Chiricahua hooks up with a white guy and a black woman who have been victimized by the status quo, and the three of them whoop some righteous-vengeance butt.
Directed by Alfredo Salazar, Lo blanco, lo rojo y lo negro leans on a strong ensemble — Hugo Stiglitz, Jorge Luke, Shandira — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about western titles of 1979.
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