
At a parish meeting Åsa-Nisse suggests that they should hire a common home help, who could give their wives some relief by staying one week at each household. The meeting assents and decides that the order of her rotation should be established by lot. The two bachelors of the village claim their right to the home help as well, arguing that they are also taxpayers. When Elsa Haglund arrives from Gothenburg she starts her first week of work at one of the two bachelors, the village shop-keeper Sjökvist. He is immediately infatuated by her and begins a flirtation. At the end of the week Elsa happens to meet the other bachelor, Eric Broo, called "the singing farmer". She falls in love with him, but doesn't know how to hook him, as he is very shy and unskilled in courting women. In the meantime Åsa-Nisse, the village rogue, carries out some of his pranks.
Directed by Ragnar Frisk, Åsa-Nisse leans on a strong ensemble — John Elfström, Greta Berthels, Bertil Boo — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1949.
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Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.
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