
Businessman Carlos meets Ana María in a Mexico City nightclub. He escorts her home, and makes a date for the next day. Ana María is actually a prostitute whose pimp, Arturo, thinks Carlos would be a good client, and urges her to be nice to him. They fall in love, and Carlos proposes marriage to her, indicating he must return to Puerto Rico soon.
Directed by Jerónimo Mitchell Meléndez, Amor perdóname leans on a strong ensemble — Julio Alemán, Kitty de Hoyos, Marta Romero — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1967.
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The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
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