
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
Directed by Gary Young, The New Cinema leans on a strong ensemble — Francis Ford Coppola, Edith Evans, Peter Fonda — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about tv movie titles of 1968.
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