
Selfishness, individualism, lack of communication, and spiritual decline of society are in the land of "El Andén": space where people wait for their train. Susan ends sitting next to Mario, a worker waiting for the train opposite of her. Two social classes, two changes of perception, two people sharing the same space: "El Andén".
Directed by Eduardo Salgado, El Andén leans on a strong ensemble — Norman Santiago, Meche Mercado, Pedro Juan Rodriguez — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2005.
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