
An ageing actor leaves the stage in the middle of a Strindberg performance and goes home. He has realized that his life is as sterile as the characters he portrays. He encourages his daughter to pack a few things in the car and he wants to drive off with her. Where to? Why not to Monte Carlo, to tempt their luck? As it turns out during their journey, they have already tempted their luck enough. While father and daughter slowly grow closer again, the goal of Monte Carlo becomes a long way off. But they will not give up, no matter what the cost..
Directed by Berengar Pfahl, Komm doch mit nach Monte Carlo leans on a strong ensemble — Ulrike Kriener, Rena Liebenow, Maria Krasna — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1981.
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