
Magdalena is struggling to cope with a major crisis in her life: some time ago her daughter Sara committed suicide. Magdalena finds herself consumed by a grief she cannot overcome. Although the event has shattered her world, she nonetheless manages to ‘function’ smoothly on a daily basis – whether this involves trying to sell Sara’s dog Truls, picking up her second daughter’s son from his piano lesson, eating with the family of an evening, attending a session with a spiritualist or going to a bar. These are all things she would have done anyway, and a strict routine helps prevent her pain from rising to the surface. Only when Sara’s former boyfriend visits does she begin to see a path through all her denial, speechlessness and feelings of guilt.
Directed by Jöns Jönsson, Lamento leans on a strong ensemble — Gunilla Röör, Hendrik Kraft, Björn Andersson — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2014.
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After her stay-at-home husband leaves her, a workaholic lawyer finds that she is not completely up to the tasks of caring for her young son, ailing father and household all by herself.
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