
A man. A woman. A single night in Paris. Such is the basic framework of this French romance that begins when middle-aged middle-class housewife Clara, happily drives to the airport to meet her husband who was supposed to come in on the evening flight and is devastated to learn that he has remained at his hotel and is having an affair. Clara sees a younger man eating a sandwich and asks him to have a drink. Later, she and he, an amiable baggage handler, spend the evening talking and exploring the nightlife on the outskirts of Paris. There they meet many people from other countries who come to Paris and work as laborers.
Directed by Solange Martin, On the Edge leans on a strong ensemble — Clémentine Célarié, Bruno Todeschini, Sotigui Kouyaté — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1995.
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Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.
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