
Before Michael Mak’s Sex And Zen became a cult favourite in the ’90s, there was Ho Fan’s Yu Pui Tsuen (The Carnal Prayer Mat, 1987). But without sex bomb Amy Yip, coarse humour or lesbian love affairs, Yu Pui Tsuen had to rely on the nudity and sex from his cast of relative unknowns to save the day. When a young man dreams that he drowns after a night of carnal passion, he asks a buddhist monk to translate the experience for him. The monk replies that the dream is a warning not to indulge the pleasures of the flesh to excess, but the man ignores his advice, marrying a virgin and making love to her constantly. However, after several torrid affairs, the man begins to realise the sagacity of the monk's warning.
Directed by Ho Fan, Yu Pui Tsuen II leans on a strong ensemble — 邓耀辉, Cheng Yuen-Man, Chou Ying-Ti — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1987.
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