
The year is 2004. France has passed a law banning religious symbols in public schools. Mariam, born in France to Arab parents, recently began to wear the hijab after performing the hajj with her grandmother. At the start of the academic year, she pretends the new law does not exist, as she does not want to acknowledge it and so be forced to make a decision. To complicate matters, Karim, a popular young Arab boy in school, starts paying attention to her and she develops a powerful crush on him. While her fellow veiled classmates argue with teachers about their desire to keep wearing the hijab, and her parents argue about her wearing hers, Mariam dreams of Karim, despite her best friend Sophia’s warning that he is not serious. Things come to a head when the deadline for removing the hijab or facing expulsion falls the same week Mariam sees Karim with another girl.
Directed by Faizah Ambah, Mariam leans on a strong ensemble — Oulaya Amamra, Lou Levy, Ahmed Hafiene — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2016.
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Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?
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