
Year 1917. Young doctor Valentin Voyno-Yasenetskyj with his wife and four children moved to Tashkent, beset by civil war and intervention. Voyno-Yasenetskyj became head physician in the city hospital. He not only saves hundreds of patients every day, operating under the bullets of the permanent street battles, fighting for his life and life of his beloved wife, dying of TB. In the midst of persecution, he as alone with four children on the outskirts of the former empire, so he decides to become a priest. And since then, he never altered neither scalpel, nor cross, he goes with them through all their hard exiles and arduous life, treating both: body and soul.
Directed by Aleksandr Parkhomenko, Luka leans on a strong ensemble — Vitaliy Bezrukov, Andrii Saminin, Ekaterina Guseva — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2013.
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In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia
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