
In 1914, with men gone to war, Marcel Proust hired Céleste Albaret as his attendant. More than eight years later, she was at his side when he died. During this entire time, she only entered his room when he rang for her, sleeping from 9 AM to 3 PM to wait during the night while he wrote. Marcel uses her as more than a servant: she is his muse, telling stories of her childhood to stir his remembrance of things past; she's in cahoots with him as he manipulates those he wants to draw on for his writing; she listens appalled to his descriptions of the underside of Paris. Hers is a life of love and sweet devotion as he races time to finish his work before death.
Directed by Percy Adlon, Céleste leans on a strong ensemble — Eva Mattes, Jürgen Arndt, Norbert Wartha — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1981.
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Christian, a reclusive young man from Leipzig, gets a job working the night shift at a big-box store. He's trained to stocks goods and operate a forklift by Bruno, a wistful former truck driver, who introduces Christian to a colorful group of overnight workers, including Marion, with whom Christian develops a troubled infatuation.
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