
The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey
Directed by Lynne Sachs, The House of Science: A Museum of False Facts leans on a strong ensemble — Sarah Beams, Amelia Dunne, Barbara Frank — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1991.
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