
Every Monday evening, at the arena, eleven men get together to lovingly put on the jersey of the Boys, the hockey team of a "garage" league to which they belong. As Stan, their revered trainer, would affectionately say, they have the "puck" tattooed on their hearts. It doesn't matter if they are lawyers, policemen, mechanics or unemployed, as soon as they enter the locker room, everyone forgets their age, their work and their problems.
Directed by Louis Saia, The Boys leans on a strong ensemble — Marc Messier, Rémy Girard, Patrick Huard — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1997.
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Baptiste, a talented imitator, is unable to make a living from his art. One day, he is approached by Pierre Chozène, a famous but discreet novelist, constantly disturbed by incessant calls from his publisher, his daughter, his ex-wife... Pierre, who needs peace and quiet to write his most ambitious text, then suggests that Baptiste become his 'answering machine' by pretending to be him on the phone... Little by little, Baptiste doesn't just imitate the writer: he develops his character!
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