
A woman and his lover spend a season at the mountains, in order to recover from the excesses of life in the city. But peace doesn’t last long: he tries to seduce a country-woman and she invites a mongrel over to her bedroom. The film is, in essence, a melodrama filled with jealousy and betrayal, but it also showcases some original elements that no other cinematography would have dared to suggest in 1929, like the possibility of a romance between an Indian and a white woman (with her taking the first step).
Directed by Nelo Cosimi, La quena de la muerte leans on a strong ensemble — Nelo Cosimi, Floren Delbene, Chita Foras — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1928.
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