
The contestation is on in the kings palace. Okwelu is accused of stealing, an offence that calls for severe punishment. The allegation is still to be substantiated and has been brought to the kings palace for a thorough examination. He is found guilty and judgment rendered: that he be buried alive in the evil forest. Such an untenable and garrulous punishment shifts the lineage of kingship and nurtures the conditions for deep acrimonies.
Directed by Ndubuisi Okoh, Amina leans on a strong ensemble — Genevieve Nnaji, Patience Ozokwor, Pete Edochie — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2008.
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The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
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