
A woman who grew up in a prestigious household, begins to have an affair outside the marriage.
Directed by Kō Nakahira, But the Flesh is Weak leans on a strong ensemble — Yumeji Tsukioka, Rentaro Mikuni, Ryōji Hayama — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1957.
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