Die Zauberflöte

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Directed by Peter Ustinov, Die Zauberflöte leans on a strong ensemble — Hans Sotin, Nicolai Gedda, Cristina Deutekom — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about family titles of 1971.