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Directed by Viktor Tourjansky, Tonelli leans on a strong ensemble — Ferdinand Marian, Winnie Markus, Mady Rahl — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1943.
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Ulrich Mott is an eccentric and versatile social climber with grandiose plans to affect United States foreign policy. Encouraged in his attempts by his strategically chosen (and much older) wife, the well-connected journalist Elsa Brecht, Mott has a knack for making himself indispensable and impossible to ignore. The only one seemingly immune to his charms is Elsa's daughter Amanda, who might simply disapprove of her mother marrying a much younger man - or perhaps she senses something more sinister beneath the smooth-talking surface?
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