
Having cured the local café owner, Diogène Leguignon becomes convinced that he is a healer and possesses the fluid. His wife sees the benefits of this gift and urges Diogene to exercise his power, particularly on a wealthy old man, M. Coq. Arlette Leguignon, however, is in love with a young doctor, who is violently opposed to her future father-in-law. Leguignon ends up condemned and, disgusted, no longer wants to look after others. When Mr. Coq dies, making him his legatee, Leguignon has to contend with the Coq family. This time, Doctor Martinet comes to his defense. The inheritance is used to build a clinic where Leguignon can carry out his experiments as a magnetizer.
Directed by Maurice Labro, Leguignon the Healer leans on a strong ensemble — Yves Deniaud, Jane Marken, Nicole Besnard — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1954.
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